Archivia & Keeplace, explained step by step — every button, every screen, in plain words. Take your time; nothing here can be broken.
Three promises before anything else. Everything saves by itself — there is no save button to forget.
You cannot break anything — every risky action asks first, and deleted books can be brought back.
And if the screen ever confuses you, closing it and opening it again is always safe.
Archivia is the register — the careful room. Every photo, film and voice recording is kept there with its date, its story, and its own permanent number, the way a museum keeps its catalogue. When you want to know where something is and what it is, you go to Archivia.
Keeplace is the book room — the warm one. There you arrange those memories onto pages, write beside them, and print a real book to hold. When you want to make something, you go to Keeplace.
Look for — the door between the rooms
In Archivia, at the top of the screen: ❧ Keeplace
In Keeplace, tap ⋯ More at the bottom, then: ❧ Open Archivia
One tap moves you between the rooms. You never lose anything by switching — both rooms stay exactly as you left them.
BeginYour account — one key for both rooms
Open archivia.site in your web browser (Safari, Chrome — any of them).
The first time, choose to create an account: your email address, a password you'll remember, and the invitation code ARCHIVIA-2026 (capital letters or small — both work).
From then on you simply sign in with that email and password — the same key opens both rooms, on your phone, your tablet and your computer.
Good to know
Signing out never deletes anything. Your archive and your books stay safely in the cloud, waiting for your key.
Part One
Archivia — the register
Where every memory is kept, named, and numbered.
ArchiviaAdding a photo, a film, or a voice
A photo
Tap the long dark bar at the bottom: + Add to the archive
Choose photo, then Choose from camera roll and pick one from your device.
If you like, write a line about it — who's in it, what was happening. You can always add more later.
Tap Save to inbox. Done — it's in the house.
A film (video)
Tap + Add to the archive and choose video.
Pick the film from your camera roll and tap Save to inbox.
What happens to a film
Films are large, so Archivia keeps them in a second, stronger vault (run by a company called Cloudflare). What you see in your lists is a poster frame — one still picture standing in for the film, like the cover of a video case. The whole film is safe in the vault. Tap the poster on the record's page and it plays.
A voice recording
Tap + Add to the archive and choose voice.
Record right there, or choose a recording you already have.
Archivia can also write down the words for you (a transcript) — so the little sentence is kept even on paper.
ArchiviaEvery way in — and how long each takes
There is more than one door into the archive. They all end in the same place: the Inbox, waiting for you. Pick whichever suits the moment.
1 · From inside Archivia — the + Add bar
The everyday door. Best when you're adding one thing and want to write a line about it while it's fresh. Also the only door for very large films.
2 · From your phone's share sheet — several at once
Open Photos and select as many photos or films as you like.
Tap the share button, then Archivia in the row of app icons.
A small card counts them through and says Sealed in the Archivia inbox ✓.
Why this door is the good one for old memories
Photos and films carry their real date hidden inside them — the day they were taken, not the day you sent them. Archivia reads it and files them under the day they truly happened.
3 · From Google Photos
In the Add a film sheet, choose ⧉ From Google Photos, sign in once, and pick the film there. Useful when your memories live in Google rather than on the phone.
4 · From a computer — for the long films
A wedding, a birth, a school concert. Open Archivia in a browser on a computer, plug in the drive if the film lives there, and use + Add. A steady computer connection handles a long upload far better than a phone.
ArchiviaHow long things take
Nothing is lost while you wait, and nothing needs watching. Rough guides on a normal home connection:
A photo — a second or two. It's usually there before you've put the phone down.
A short clip (up to about a minute) — a few seconds.
A longer clip (a few minutes) — under a minute, usually.
A long film (half an hour or more) — several minutes, sometimes much longer. Use a computer, and let it finish before closing the page.
Why an old film can be slow to start
If a photo or film has a small cloud symbol beside it, the full-size original isn't on your phone — it lives in iCloud, and your phone keeps only a small preview to save space. When you share it, your phone has to fetch the original back first. That's the pause you feel before anything begins moving, and it's your phone talking to iCloud, not Archivia being slow.
It only happens once per item, and it goes quicker on Wi-Fi. Freeing up space on your phone helps too — a phone with room to breathe can hold more originals and has somewhere to put the temporary copy it makes while sending. If your phone is nearly full, older films will be slowest of all.
Can you walk away?
Sharing from Photos: yes. Once the card says it's on the way, you can close it, leave Photos, lock the phone, get on with your day — your phone finishes the delivery on its own.
Adding inside Archivia (+ Add): not quite — keep that screen open until it says it's saved. It's usually only a moment, and the screen tells you where it's up to.
If something hasn't appeared yet
Come back to Archivia and the Inbox checks itself — that's usually all it needs. There's also a ↻ Check for new arrivals at the top of the Inbox. A film that's still travelling will simply arrive a little later; it isn't lost.
How big is too big?
Sharing from the phone suits anything up to a few minutes. From a computer, a single film can be up to 5 GB — roughly an hour of phone video. Beyond that, or if your collection is enormous, the archive has an older and wiser answer:
The signpost — what real archives do
A record doesn't have to hold the film to keep it. Create the record, give it a title, a date, the people in it, and a note saying where the original lives — “the labelled drive in the study”, “Dad's box of tapes”. The register then knows what exists and where to find it. That is exactly how a museum catalogues a film reel it cannot fit in a drawer, and it is a perfectly honest way to keep something.
ArchiviaThe Inbox — review and organise
New things wait in the Inbox until you've had a look at them. Reviewing is the pleasant part — a quiet minute with each memory.
Open the Inbox (it shows a count of what's waiting).
For each item, add or tidy the title, the date it happened, and a few words of description.
Tap Accession. Archivia gives the record its permanent number — something like A-2026-0104 — and files it in the register.
"Accession" is simply the museum word for officially taking something in. Once a record has its number, that number never changes — it can be written on the back of a print, on a box, in a will. It will always mean this one memory.
ArchiviaA record's page — titles, dates, people
Tap any record in the register to open its page. Everything on it can be changed at any time — tap a line to edit it.
Title and date — plain words are best: "Sienna's third birthday — the cake".
Description — the story. Who was there, what was said, why it matters.
People — tap to name who appears. Later you can find every record of a person in one tap.
Collections — see the next section.
For films: tap the poster to play. For voices: the player sits right on the page.
ArchiviaCollections — gathering records together
A collection is a labelled ribbon around a set of records: "Sienna's third birthday", "Louis — studio work 2026", "Nanna's letters". A record can wear several ribbons at once.
On any record's page, find the Collections line and tap + Collection.
Type a name for a new collection, or tap an existing one to add the record to it.
To browse, tap a collection chip (marked ◆) under the search filters — you'll see everything it holds, oldest first.
Inside, ✕ takes a record out of the collection (the record itself is untouched). Disband removes the ribbon entirely — never the records. It asks twice before doing so.
ArchiviaFinding things, the Desk, and Export
Finding
Tap ✦ Find and type anything — a name, a word from a description, a year. The register narrows as you type.
The Desk
⚡ Desk is for catching up: it shows one un-reviewed record at a time, full screen, so you can title-date-describe a whole backlog in one sitting — like a librarian with a trolley of returns.
Export — your own copy of everything
Tap ⤓ Export in the header.
Archivia copies every original file onto your computer or hard drive, each named by its accession number. This is your once-a-season ritual — a full copy of the archive that lives with you.
Also in the header
⟳ Sync book refreshes what Keeplace can see. ✦ AI holds the assistant settings. ❧ Keeplace is the door to the book room.
Part Two
Keeplace — the book room
Where memories become pages, and pages become a book.
KeeplaceOpening your book
Open archivia.site/keeplace, or step through the ❧ Keeplace door from Archivia.
While the book travels from the cloud you'll see a calm cream screen with a growing gold line and the words "Opening your book…". A full book can take a little while on a slow connection — this waiting screen is normal, and it tells you honestly if it's taking longer than it should.
Your book opens where you left it.
The opening screen — patience, not a problem
KeeplacePages — adding, arranging, changing their look
Moving between pages
Look for
On a phone: swipe, or use ‹ Back and Next › in the bottom bar.
On a computer: two round arrow paddles sit either side of the page — or use the arrow keys on your keyboard.
Adding a page
Tap + Add page.
Choose a kind of page. There are pages for stories, single photos, photo galleries (including three quiet "small landscape" arrangements with wide white margins), quotes, timelines, letters, birthdays, family trees, artist pages, and more. Each shows a little preview.
Changing a page's look
On the page, tap ⟳ Change layout.
Keep tapping to cycle through the arrangements — your photos and words travel with you between layouts.
If a new layout has fewer photo spaces or less room for words, nothing is lost: extra photos wait in the Moments tray, extra writing waits in the Text tray, and a message tells you exactly where everything went.
Arranging the book
Move ← and Move → shift a page one place. Remove takes a page out (it asks first). And the book can order itself by date — covers to the front, the Library to the back, dated pages in between, oldest first.
KeeplaceWriting — by hand or by voice
Tap any words on a page — a title, a caption, the body of a story — and simply type. Tap elsewhere when you're done; it saves itself.
For longer writing, tap the ⤢ button on the little toolbar that appears — the writing room opens, full screen, quiet, with big comfortable type. Tap Done to return.
Prefer to speak? Tap the microphone and talk — your words appear as you say them. The Memory assistant (under ⋯ More) can tidy dictation into flowing sentences.
KeeplacePhotos — from your device, your trays, or Google
Tap any empty photo space (they say "Add photo"), or a photo you'd like to replace.
A small menu asks where from:
The photo menu
This device — your camera roll or computer files.
The Moments tray (3) — photos you've captured or that stepped aside during a layout change, each shown as a little picture. Placing one takes it out of the tray.
The holding tray (12) — the book's general waiting shelf.
When a tray fills past a comfortable page (12 photos, or 8 captured moments), it flows onto a new page by itself, numbered "1 of 2, 2 of 2", so the little pictures never shrink. ⋯ More → Tidy the trays reflows them any time.
Capturing a memory from anywhere
You don't need to find the Moments page first: tap ⋯ More → + Add a memory from any page, and the capture sheet opens — a photo, a quote, a little moment, saved with its date to place later.
KeeplaceBringing things across from Archivia
The register can reach every part of the book — four doors, all under ⋯ More.
Photos from Archivia — a grid of your register photos. Chosen ones land in the Moments tray, each keeping its title and date, ready to place on any page from the photo menu.
Films & voices from Archivia — brings them into the Library, the book's printed catalogue of recordings (next section).
A film or voice, on its own page — a film becomes a full poster page (tap the poster and it plays from the vault); a voice becomes a journal page with its transcript as the words, the recording playable beneath them.
A film or voice, on this page — adds a small strip beneath the words and photos of the page you're on: poster, title, date, and register number. Films play when tapped; voices play in place. In print, the strip appears without the players — a neat catalogue note.
In every case the original stays exactly where it belongs — in the archive. The book never takes copies; it takes citations: "this film lives at Archivia A-000201." The page knows where to knock.
KeeplaceThe Library — your films & voices, catalogued
The Library pages sit at the back of the book: one elegant catalogue line per recording — title, date, a few words, and its register number. On screen, tap a film's poster and it plays straight from the vault; voices have a small player right in the entry.
It paginates itself
Five entries to a page. When a sixth arrives, a new Library page appears by itself and the pages number themselves "1 of 3, 2 of 3…". ⋯ More → Tidy the Library reflows on demand. The type never shrinks to fit.
KeeplaceTimelines, statements, and the reading mode
Timelines
A timeline page collects little dated moments. Tap ⤤ gather moments from the book and it fills itself from your pages. If the timeline's heading names a year — "MOMENTS · 2025" — the button becomes ⤤ gather 2025 from the book and collects only that year.
Statement pages
"Words, writ large" — one sentence, set enormous, with a small line above and a name below. For the things somebody said that deserve a whole page. The type sizes itself to the length of the words.
Reading mode
Tap Read and the book puts away all its editing tools — just the pages, as a visitor would see them. ⋯ More → Dates while reading chooses whether little date stamps show on photos while you read.
KeeplaceOne last read — a gentle spell-check
Whenever you print or save a PDF, Keeplace first offers ✦ One last read — a careful pass over your words for spelling and punctuation.
It shows its suggestions page by page; you tap Accept, Edit or Ignore for each. Nothing changes without your say-so, and anything accepted can be undone.
It is protective of your family's language: names, nicknames, a child's own words in quotes, and Australian spelling are left alone.
You can also run it any time from the top of Print & keep, or skip it entirely with Continue without changes.
KeeplacePrint & keep — paper, at last
Tap Print in the bottom bar (or ⋯ More → Print & keep). Two roads lead to paper:
The two roads
Save … as a PDF — print quality, 300 dpi. This is the version to keep forever or hand to a print shop. It looks identical from every device.
Send … to a printer — straight to your own printer. Perfect for a quick proof on your desk.
Choose this page, the whole book, or ready pages (pages you've marked done).
In your printer's window choose single-sided — each page prints on its own sheet, with a wider left margin already built in for hole-punching.
Slip the pages into your binder, beside the original keepsakes. That's the whole point of everything.
If your printer adds a web address at the edge
That's the browser's own stamp, not the book's — recent builds leave it no room, but if you ever see it, untick "Headers and footers" in the print window.
KeeplaceSeveral books, backups, and the rescue copy
More than one book
The book switcher (bottom of the tools) lets you make a + New book, Rename one, or move between them — Sienna's book, a family archive, a folio for Louis.
Deleting a book — the failsafe
Deleting asks you to type the book's name before the button will even light up.
Before anything is removed, a full rescue copy is kept on your device.
Changed your mind? ⋯ More → Restore a deleted book brings it back, pages and all.
Your last remaining book can never be deleted at all.
Backups
The ⬇ Backup button saves the whole book as a file on your device — a good monthly habit. The cloud also keeps its own quiet snapshots as you work.
Part Three
Setup & help
One-time settings, and what to do when something looks odd.
SetupGoogle Photos — a one-time setting
To pick photos straight from a Google Photos account, Keeplace needs one long code called a client ID (it ends in .apps.googleusercontent.com). It's created once, free, at Google's website — ask your resident technical person, or the Companion guide walks through it.
Tap ⋯ More → Google Photos import.
Paste the client ID and tap Save.
That's it — set it once on any device and every device signed into your account learns it. "Google Photos" now appears in every photo menu.
HelpWhen something looks wrong
The screen is cream and says "Opening your book…"
Not a problem — the book is travelling from the cloud. It says so honestly if it's slow, and nothing is ever lost by waiting.
A film only shows a picture
That picture is the film's poster. Tap it and the film plays from the vault. The whole film is safe.
"Failed to fetch" or things won't load
Almost always the internet connection. Check you're online, then try again — the archive itself is untouched.
A photo I placed has vanished from the tray
By design — placing a photo takes it out of the tray, so nothing is used twice by accident.
A button described here isn't on my screen
You may be looking at an older copy. Open ⋯ More and read the small build line at the bottom — then refresh the page (on a computer: hold Ctrl and press F5). If it persists, delete the home-screen icon and add it again fresh.
I deleted something I shouldn't have
A book: ⋯ More → Restore a deleted book. A record in Archivia is retired, not destroyed — it can be brought back. Breathe easy.
ReferenceSmall glossary
The register
Archivia's master list — every memory with its number.
Accession
The moment a memory is taken in and given its permanent number.
Accession number
e.g. A-2026-0104 — this one memory, forever.
The Inbox
Where new things wait to be reviewed.
A collection
A named ribbon around a set of records.
The vault
The strong second store (Cloudflare) where film masters live.
A poster frame
The single still picture that stands in for a film.
The Moments tray
Keeplace's shelf of captured photos waiting to be placed.
The holding tray
The book's general waiting shelf for photos.
The Library
The book's printed catalogue of films & voices.
A transcript
The words of a recording, written down — so paper can speak.
PDF
A finished, unchangeable copy of pages — what print shops want.
The build line
The small print at the bottom of ⋯ More that says which version you're running.
Begun, not perfect — that's the whole method. Archivia · The Handbook · July 2026